Mimosa Echard

Lies, 2024

“Attached as we are to the senses, we manifest the sheer porousness of boutiques. The boutiques are categories. We have plenty of time. The problem is not how to stop, but how to articulate the politics of their passage. Every culture is the terrible gush of its splendid outward forms.” —Lisa Robertson For *Lies*, her second exhibition at the gallery, Mimosa Echard presents two entangled bodies of work: a continuation of her oxidised metallic tableaux and a new series of photographs taken in a 1920s Parisian arcade. Conceived as a modular system, the tableaux are made from electromagnetic shielding fabric...